“Your absence has gone through me like thread through a needle. Everything I do is stitched with its color.” W.S. Merwin
Stitch celebrates the short-form essay, otherwise known as flash non-fiction. It’s a magnificent mix of personal narrative and poetry; a challenging hybrid to write, but oh so satisfying to read. I’m choosing the 100-words-or-less variety and today, July 1st, I’m opening up the site for submissions, hoping to publish at least one new piece each month.
How do we define flash nonfiction? Because it’s art, there’s very little agreement. But I offer two articulate attempts:
In the introduction to The Rose Metal Press Field Guide to Writing Flash Nonfiction, (2012), editor and essayist Dinty Moore writes that flash nonfiction is “individual, intimate, exploratory, and carefully crafted using metaphor, sensory language, and precise detail.”
Essayist Bernard Cooper writes that short nonfiction requires “an alertness to detail, a quickening of the senses, a focusing of the literary lens … until one has magnified some small aspect of what it means to be human.”
I especially love Cooper’s line about being human. This idea is central to my essay sensibility. Thread explores the moments that expose and connect us and what it means to be human.
I was over the moon when Thread was reviewed recently and the writer noted this, saying that the pieces “describe every day events kissed by a haunting sense of larger meaning.” Yes! That’s exactly what Thread is going for.